The designer I was assigned was Ruth Ansel, one of the most notable graphic designers in the editorial fashion world. For my second designer, I chose American Fashion Designer Virgil Abloh. The combination of these designers worked well for this project because of their work in the fashion industry. When choosing the visual language, I decided to have different fonts representing the different designers. The classic and editorial looking Didot for Ruth Ansel and the more modern and structured Forma for Abloh. Each branch of the timeline had a color encoded to it (pink for Ansel, green for Abloh, blue for graphic design history, and orange for world history) which appeared as blocks in the background of the images. For the layout, I mimicked the editorial look and feel of Ruth Ansel’s work. To keep the timeline easy to digest and have a strong flow, I kept the events of Ansel and Abloh prominent towards the top of the pages and the graphic design and historic events smaller and towards the bottom.